SILENT ZONE – ECHO CHAMBER

SILENT ZONE – ECHO CHAMBER

Silent Zone – Echo Chamber is a hybrid between an opera, interactive 3D technology and installation art. The experience lasts for less than 10 minutes and can only be viewed one person at a time. The work, which revolves around an incestuous family, is an excerpt from the delicate and award-winning chamber opera Silent Zone from 2017. The installation invites the audience inside an abstraction of a home, where the reality of non-disclosure prevails.

A HYBRID OF GENRE
The audience is provided with a smartphone and a pair of headphones, after which they enter into the installation – a cube the size of 9 x 5 metres. Here, the opera unfolds as a physical and sculptural soundscape for the audience to walk in to. At the same time, a family of four is observed through the phone in changing situations, and gradually a narrative emerges. You can move around freely, get close to the characters, or observe them at a distance.

CREDITS
Komponist og libretto: Louise Alenius / Instruktør: Tue Biering / Kreativ programmør og teknologisk udvikler: Nikolaj Stausbøl / Lyddesign: Egil Sandfeld og Mikkel Larsen / Scenograf: Marie Rosendahl Chemnitz / Rekvisitter og indretning: Josefine Thornberg-Thorsøe og Therese Annebelle Jensen / Bygger: Anders Kragholm / 3D-scanninger: Rigsters / Teknisk konsulent: Molamil/Manyone / Idéudviling og tech producer: Darshika Karunahara / Initiativtager, kreativ udvikling og producent: Tine Reingaard

Medvirkende: Kenneth Andersson, Molly Grand, Falke Lindegaard Hvidtfeldt, Marianne Søndergaard / Sangere: Morten Grove (kontratenor), Frederik Rolin (bas-bariton) / Musikere: Louise Gorm (violin), Jenny Lüning (bratsch), Lea Emilie Brøndal Pedersen (cello), Andreas Hjorth Jessen (bas), Louise Schrøder (klaver), Ying-Hsueh Chen (percussion)

Special thanks to:  Alfred Kann, Copenhagen Opera Festival, Edition Wilhelm Hansen, Gitta-Maria Sjöberg, Khora, Makropol, Miljø Tæpper Rødovre, Molamil/Manyone, Mona Alenius Kaniewski, Per Achen and Sten Byriel.

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